【#TTV熱線追蹤】摔出來的兄弟情 哥哥:楊勇緯私下很感性
#果編:很感人!
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本屆奧運的第一面獎牌,是由柔道選手楊勇緯拿下的銀牌,除了提拔他的教練,楊勇緯很感謝擔任陪練員的哥哥楊俊霆和蔡明諺,其實楊俊霆,也是一位柔道選手,而楊勇緯開始練柔道,就是跟隨哥哥的腳步,楊俊霆說看到弟弟一步步走向國際,也讓他感到欣慰。柔道教練劉文等說,楊勇緯自我要求非常高,同樣的動作,他會比別人多練10分鐘,反覆做到最好,就讓我們一起來看這位柔道男神的故事。
#東京奧運 #楊勇緯 #柔道
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【訂閱 #台視新聞 關心大小事】
同時也有14部Youtube影片,追蹤數超過574的網紅HiJack 劫持樂團,也在其Youtube影片中提到,【因為是學習年代】 6/23 台北 The Wall 專場 購票請洽 https://bit.ly/2JQUoGS -- HiJack 最新專輯《Apprentice》 2019.03.29 實體/數位通路 全面發行 數位收聽 Spotify:https://spoti.fi/2uA5...
蔡明諺 在 Facebook 的最讚貼文
#勇闖東京小花絮 🥋
在這次東京奧運擔任柔道代表隊陪練員的 #蔡明諺,是團隊能夠獲得佳績的重要功臣之一💪🏼
原本也在奧運培訓隊中的蔡明諺,和勇緯既是隊友、也是對手,雖然最終蔡明諺沒有拿到奧運資格,無緣繼2016年里約之後再戰奧運,但他仍願意放下身段,以陪練員身份及奧運參賽經驗,協助勇緯和真豪兩位奧運新兵備戰。
勇緯說:「我覺得這是很偉大的一件事,也覺得非常感動,畢竟我們以前是競爭對手,他是這次比賽中最重要的一個角色。」
#2020東京奧運 我們見證了兩人深刻的革命情感,以及柔道人的 #共好精神 ,就如勇緯時常說的:「這面獎牌🥈 是大家一起拿的!」
✏️ 詳細報導:《更團結的柔道精神 成就楊勇緯銀牌夢》/ WOWSight
https://wowsight.tw/2021/07/25/%e3%80%8a%e5%a5%a7%e9%81%8b%e3%80%8b%e6%9b%b4%e5%9c%98%e7%b5%90%e7%9a%84%e6%9f%94%e9%81%93%e7%b2%be%e7%a5%9e-%e6%88%90%e5%b0%b1%e6%a5%8a%e5%8b%87%e7%b7%af%e9%8a%80%e7%89%8c%e5%a4%a2/
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#Tokyo2020 #Olympics #Judo
蔡明諺 在 VOP Facebook 的最佳貼文
#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
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● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
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In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
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Voices of Photography 攝影之聲
vopmagazine.com
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#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
蔡明諺 在 HiJack 劫持樂團 Youtube 的精選貼文
【因為是學習年代】
6/23 台北 The Wall 專場
購票請洽 https://bit.ly/2JQUoGS
--
HiJack 最新專輯《Apprentice》
2019.03.29 實體/數位通路 全面發行
數位收聽
Spotify:https://spoti.fi/2uA5Uhc
KKBOX:https://bit.ly/2HTIprc
My Music:https://bit.ly/2WssSCL
Apple Music:https://apple.co/2FIn42h
friDay音樂:https://bit.ly/2Wvt83W
QQ音樂:https://bit.ly/2I2aCMF
實體通路
博客來:https://bit.ly/2FbbATA
五大唱片:https://bit.ly/2Y8A20r
佳佳唱片:https://bit.ly/2uyNgpS
G-Music:https://bit.ly/2CtIsX2
光南大批發:https://bit.ly/2HKgg6x
誠品網路書店:https://bit.ly/2YtLELM
相信音樂線上購物:https://bit.ly/2YwUOXZ
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詞/曲 蔡明諺
承受之後的我會是在哪裡
只是為了填滿那深不見底
遊離在人群裡空盪的身軀
再多的對應也不過是平行遠離
走在飢餓路上四處地尋覓
只是為了嚐遍那控制的慾
放棄了過去所堅持的真理
再多的問題也不過是崎嶇
停不下 忐忑不安的疑問句
戒不掉 不斷勒緊的窒息
忘不了 形影不離的假想敵
停不下 戒不掉 忘不了
你得不到我的空氣我的呼吸
儘管披著你的衣
也得不到我的過去我的回憶
就算說著你的語
不再懷疑
當奢望開始扭曲
而曾經一一浮起
將淚水化作血液
隨著雨落入心底
似油如水容不下此彼
或多或少分不清邊際
從今以後只會在夢裡
看著你眼裡那絲陌生的熟悉
不再懷疑
承受之後的我還會在哪裡
影片製作:阿元
蔡明諺 在 HiJack 劫持樂團 Youtube 的最佳解答
【因為是學習年代】
6/23 台北 The Wall 專場
購票請洽 https://bit.ly/2JQUoGS
--
HiJack 最新專輯《Apprentice》
2019.03.29 實體/數位通路 全面發行
數位收聽
Spotify:https://spoti.fi/2uA5Uhc
KKBOX:https://bit.ly/2HTIprc
My Music:https://bit.ly/2WssSCL
Apple Music:https://apple.co/2FIn42h
friDay音樂:https://bit.ly/2Wvt83W
QQ音樂:https://bit.ly/2I2aCMF
實體通路
博客來:https://bit.ly/2FbbATA
五大唱片:https://bit.ly/2Y8A20r
佳佳唱片:https://bit.ly/2uyNgpS
G-Music:https://bit.ly/2CtIsX2
光南大批發:https://bit.ly/2HKgg6x
誠品網路書店:https://bit.ly/2YtLELM
相信音樂線上購物:https://bit.ly/2YwUOXZ
---
詞/曲 蔡明諺
First step
習慣的枷鎖太過沉重
Second step
崇拜的舉止散發困惑
Third step
揣測的結果說不出口
Fourth step
躁鬱的症狀毫無來由
1&2 ready, inhale
神魂顛了倒
1&2 ready, exhale
恐懼或抵抗
1&2 ready, inhale
等待著信號
1&2 ready, exhale
只怕失了焦
Like walking in the air
Walking in the air
I'm walking in the air
Walking in the air
神魂顛倒
恐懼抵抗
This step
過去的過去只能接受
Next step
未來的未來怎麼渡過
影片製作:阿元
蔡明諺 在 HiJack 劫持樂團 Youtube 的最佳解答
【因為是學習年代】
6/23 台北 The Wall 專場
購票請洽 https://bit.ly/2JQUoGS
--
HiJack 最新專輯《Apprentice》
2019.03.29 實體/數位通路 全面發行
數位收聽
Spotify:https://spoti.fi/2uA5Uhc
KKBOX:https://bit.ly/2HTIprc
My Music:https://bit.ly/2WssSCL
Apple Music:https://apple.co/2FIn42h
friDay音樂:https://bit.ly/2Wvt83W
QQ音樂:https://bit.ly/2I2aCMF
實體通路
博客來:https://bit.ly/2FbbATA
五大唱片:https://bit.ly/2Y8A20r
佳佳唱片:https://bit.ly/2uyNgpS
G-Music:https://bit.ly/2CtIsX2
光南大批發:https://bit.ly/2HKgg6x
誠品網路書店:https://bit.ly/2YtLELM
相信音樂線上購物:https://bit.ly/2YwUOXZ
---
因為是學習年代
HiJack《Apprentice》Release Tour
3/23 大港開唱 卡魔麥舞台
4/19 台北 Revolver w/ Little Shy on Allen Street
https://bit.ly/2Tr0dvL
4/28 台中 山海屯搖滾祭
5/26 高雄 百樂門 w/ KoOk
https://bit.ly/2CD92x5
6/23 台北 The Wall
--
詞/曲 蔡明諺
嘈雜的風不斷地呼嘯而過
充斥著我所有厭惡的假說
當夜和晝都化作失序的奔流
總是壓迫著同個胸口
昏了誰的頭
So shut the hell up
Shut the hell up now
We don't have a chance to control
So let it let it go
是為了誰和誰水中漂泊
時間的漩渦也只能順著游
We don't have a chance to control
So let it let it go
在心裡有百種念頭
從沒想過渴望到底是什麼
怎麼要求對抗整個宇宙
要得太多也難免驕縱
是福是禍管它任何藉口
做了再說就算錯了又再錯
如何忍受期待只是被動
忍得已夠就閉上耳朵
現在就走
不需再說太多
We do have a chance to control
Don't let it let it go
不需要誰或誰路邊停留
未知的旅途我都要自己走
We do have a chance to control
Don't let it let it go
Shut the hell up
Shut the hell up now
影片製作:阿元